| Featured
Presentation |
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| Maestro
extraordinaire of violin making, Fred Sandoval, spoke to members about
techniques he used to hand craft violins. Although the wood does
not have to come from the alps of Austria or the forests of Italy, it
must be air dried for at least eight years. Fred only uses animal
glue because that allows one to disassembly the violin later if repairs
are necessary. Measurements must be precise to a tolerance of one
millimeter - I suppose a yard stick wouldn't work very well. In
the right most photo Fred holds a tray of several small planes, each a
different size. Fred's collection of gouges are of varying sizes
also. Fred scrapes and measures, scrapes and measures, and then
scrapes and measures.....and so on. |
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| SHOW
and TELL PROJECTS |
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Cliff Ober handmade everything about this saw, including the
blade. Cliff took a mud knife and filed teeth into it for a saw
edge. The handle is constructed of bocote. Definitely a
piece of work that is a "cut" above.
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| You
can almost hear the island drums announcing the arrival of John Gay's
Uga Chucka. There are seven secret compartments (oops, I spilled
the beans) and John is demonstrating one by hiding a "jewel"
in it. The "head and face" are two halves of a bowl.
John used hard maple, mahogany and walnut. The center drawers are
finished with a stone colored paint. |
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Lon
Kelley explained how he cut one bowl from a wet pecan log and then just
let it dry adding interesting character to the bowl. The other two bowls
are of ash.
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